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Extra resources for Art, Fashion, and Work for Hire: Thomas Demand, Peter Saville, Hedi Slimane, Hans Ulrich Obrist and Cristina Bechtler in Conversation
It is out of enjoyment and excitement; it is somehow hedonistic, and most of it effortless. I just wanted to experiment with different things in different mediums, and fashion was, and will be, a fantastic medium to work with. Since you are going for some preconception, you end up dealing with many predictable and dodgy agendas. You expect to end up with some kind of prostitution in terms of your ideas, and commitment. I actually always liked that part, the fun part, the mythology of vanity and pure surface.
Actually, I started with photography when I was a teenager. I bought my ﬁrst camera when I was eleven years old, with my birthday savings. It was a second hand Nikon FM camera, a pure archaism, with a beautiful lens. I had no subject to photograph, but pieces of wood and cardboard. I started to get attracted to Rodchenko, and every single picture was a diagonal frame. I bought my black-and-white enlarger, with a Leitz 1950s lens. The money came from a little Keith Haring drawing I owned and sold at auction.
Peter Saville Is that near the Alps? Hedi Slimane No, lower, on the seaside, on the Adriatic sea coast. A beach town. A tiny village really. Cristina Bechtler How did you meet? werden wollte, und begann Politische Wissenschaft zu studieren. Ich war ein totaler Versager, der Letzte in der Klasse. Ich konzentrierte mich aufs Nähen. Wenigstens war ich da allein und niemand gab seinen Senf dazu. Ich ließ die Politische Wissenschaft sausen, nach einem chaotischen Jahr, das ich vorwiegend damit verbracht hatte, auf der Straße gegen ein Ausbildungsgesetz zu demonstrieren, das mir sehr gelegen kam.
Art, Fashion, and Work for Hire: Thomas Demand, Peter Saville, Hedi Slimane, Hans Ulrich Obrist and Cristina Bechtler in Conversation by (auth.)
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